Fuel for Progress

Fuel for Progress

Fuel for Progress was inspired by a bicycle trip I took on the St. Anthony parkway in NE Minneapolis.  I had stopped on an overpass by University Ave to watch the trains and was intrigued by the curving tracks and the motion they implied.  I thought, “What if I could paint a train flying around the bend and almost tipping off the track with its speed.”  From my viewpoint I could see downtown Minneapolis in the distance.  I wanted to include the cityscape into my composition, but realized modern day skyscrapers would not fit with the steam locomotive I had picked for the foreground.  I did some research on what Minneapolis would have looked like at the turn of the 20th century.  I picked some of my favorite buildings and signage and collaged them into the background.  It wasn’t until I was almost done painting the building details that I realized I had picked all bread and beer factories!  The piece’s title comes from the idea that the bread and beer manufacturing was fueling the fast paced progress that was screaming us into the future at that point in history.

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Waters Rolling Over Archimedes Library

Waters Rolling Over Archimedes Library

Waters Rolling Over Archimedes Library was painted from a series of photographs I had taken while fishing in Lake of the Woods, Ontario, Canada.  Although bright and sunny when we headed out that morning, the weather quickly changed.  The clouds rolled in and we became drenched.  Just as we were about to head back to the cabin, the sun came back out in brilliant force.  It was one of those changeable, unpredictable summer days that made dramatic highlights and shadows and was perfect fodder for a painting.  
It’s easy to get lost in the Canadian wilderness.  To try to help navigate, my family had adopted the habit of naming un-named islands on the map so we could reference them.  The island in the foreground of this painting is comprised of volcanic rock that formed in a unique way.  Just below the water’s surface the rocks look like stacks of large books tipped over.  It reminded us of the Disney movie “The Sword & the Stone” where young King Arthur is tutored by Merlin the wizard.  Merlin’s pet owl is named “Archimedes” and he hangs out in the library which is filled with precariously high stacks of books ready to tumble over.  I’ll admit the naming in this instance was a bit fanciful, but it helped us distinguish this particular island’s location on the map and reference it.

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The Original 72" x 36" Oil painting on canvas is available.  Please Contact Me for details.

 

Lovestory

Lovestory

“Lovestory” is the tale of 2 people meeting and falling in love in the city of Minneapolis told by train imagery.
Her: a rowdy Packers football fan from Wisconsin.
Him: an easy going but devoted Vikings fan from Minnesota.
They are each represented by a different locomotive on a crash course to collide.  
Life was good and on an even keel as “his” train drives along at a steady pace from NE Minneapolis (skyline on the left).  As he approaches downtown however, his train suddenly dives, does a loop-dee-loop, veers, and flies around to meet “her” train as it comes barreling out of the sky!  
The couple met while both working at the Star Tribune newspaper building in downtown Minneapolis (notice the flying newspapers)  They had an explosive attraction and not long after, the couple had their first date
(& first kiss!) at the Loon Cafe on 1st Ave. The rest of the painting portrays imagery specific to their lives:  their mutual love of Minneapolis icons (like the Grain Belt beer sign), places they frequent, nicknames, and their beloved dog “Jake”.  They are now married, but the football rivalry of the Packers vs. the Vikings still remains strong.  The inclusion of cows wearing Packer’s jerseys and cheese-heads while the Viking ship rolls onto the football field was a bit of goofy fun that I get to include into a painting once in awhile.  It fit this particular couple’s love of life and playful good nature. 

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Gathering Storm Clouds at Erickson's Landing, Leech Lake

Gathering Storm Clouds at Erickson's Landing, Leech Lake

My hometown of Walker, Minnesota, is located on the shores of Leech Lake, which happens to be the 3rd largest lake in Minnesota.  Erickson’s Landing is a popular spot for fisherman to launch their boats and has great views looking Eastward, out across the many bays and peninsulas famous for walleye fishing.  It’s also a great spot for weather watching as many times storms roll in from the North before breaking loose over the lake.  I was on my way home from work the day this storm rolled in.  I saw the anvil cloud forming a couple of miles before the landing and took a few minutes to pull in and snap some photos.  I didn’t dally however!  It wasn’t long after I took my reference photos that the sky turned green and the wind started to pick up.  I jumped back into my truck and high tailed it for home and safety.  I barely made it inside before the hail started and my cabin shook with what was one of the biggest storms of that summer.

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Shifting Sands

Shifting Sands

In October of 2015 I was the “Artist in Residence” at the Sleeping Bear Dunes National Lakeshore on Lake Michigan.  For 3 weeks I explored the park, sketched and painted outside and interacted with park visitors.  On the 2nd day of my visit I went on the park’s famous “Dune Climb”.  It was an exhausting 2 mile hike of scaling 500’ high sand dunes-- 7 times!.  My hardwork was rewarded however when I finally made it to Lake Michigan and discovered this shipwreck washed up on shore.  According to the park rangers, this wreck appeared in 2010 when the sands shifted and uncovered it.

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Glen Haven Cherry

Glen Haven Cherry

“Glen Haven Cherry” was inspired by my visit to the historically preserved “museum” town of Glen Haven, Michigan.  Maintained by the National Park Service, Glen Haven is part of the Sleeping Bear Dunes National Lake Shore, where I was the Artist in Residence during October of 2015.

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The Original 60" x 40" Oil painting on canvas is available.  Please Contact Me for details.

Field of Poppies

Field of Poppies

“Field of Poppies” is my ode to the French Impressionists that I have always adored.  I grew up in a family of artists where books of the Old Masters, including Monet, Renoir, Degas, Van Gogh and many more resided on the bookshelves and provided me with many hours of rapt enjoyment.  I was fascinated by the way the impressionists could bring emotion to a scene.  It wasn’t a photo-realistic interpretation-- it was so much more!  They painted light, and movement, and the way being there would make you feel.  In painting “Field of Poppies”, I wanted emphasize the vibrant color of the poppies filling the field and how overwhelming it would be to your eyes.  Also important was the movement within the piece.  I used loose, fat, loaded brush strokes to paint the grasses and convey the idea of a brisk wind whipping through.  The azure blue of the sky makes it what in my mind is a perfect summer day in the French countryside.

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Lighthouse at Point Betsie

Lighthouse at Point Betsie

“Lighthouse at Point Betsie” is painted from an absolutely magical day of my art residency at Sleeping Bear Dunes National Lakeshore on Lake Michigan, in October of 2015.  I’ve always thought lighthouses are one of the most interesting and romantic types of architecture ever made.  When I see one I think about the history surrounding it, the shipwrecks that caused their initial construction, and the long, lonely hours spent by the keepers.  Point Betsie is an architecturally beautiful lighthouse and I knew I wanted to visit it.  What I hadn’t expected were the breaker walls in front that the waves exploded against causing great showers of spray.  The waves would hit the walls with a big BOOM! and fountains of frothy water would erupt sometimes 30 feet into the air.  It made me laugh out loud in delight and I received more than one odd look from other visitors who obviously thought I was crazy!  The combination of the warm afternoon sun and the Caribbean-esque aqua blue waters of Lake Michigan held me entranced, and I knew immediately it was a scene that I would paint.  I decided to paint at an extreme landscape ratio, playing around with distorting the perspective to give it a “fish-eye lens” feel.  The sun spot circles were added to heighten this effect.  This allowed me to integrate all the things I loved about being there; the agate filled beach, the breaker walls, the lighthouse itself, and the distant outbuildings and dunes beyond.

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Old Timer Expedition

Old Timer Expedition

“Old Timer Expedition” is painted from a compilation of scenes from Lake of the Woods, Ontario.  The painting is set occurring right at dusk.  I find that time of day can be particularly magical.  Many times a windy day will calm down at that point, turning the lake into a glassy mirror of reflections.  The sky lights up with colors and a peaceful beauty descends.  It’s also the time you can sometimes see the brilliant sparkles from the setting sun lighting up any surface disturbances on the lake in its direct path.  Long shadows cast   by the trees in the right foreground help emphasize the lighting particular to that time of day, as well as the strong highlights lining the foliage on the sun facing branches.  I painted this piece with nostalgic thoughts of a time less complicated than our current technological world.  I like to think that taking an evening boat ride with an old friend and your dog, under an amazing sky, is still just about the most enjoyable thing a human can experience.

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Hasty Departure

Hasty Departure

“Hasty Departure” originated from a harrowing story told to me by a fellow art lover.  This gentleman had seen some of my storytelling paintings and told me that he had in his possession the storytelling photo of a lifetime!  He had been camping with some buddies in the Boundary Waters in (2006?) when a forest fire broke out and they were told to evacuate the area IMMEDIATELY!  His canoe was the first one to make it to the exit landing.  As he was waiting for the other canoes to make it to safety, he took a photo of them still out on the lake and the entire woods of the island behind them was on fire.  It was apparently a very narrow escape, and even though I never got to see the actual photograph, his story gave me goosebumps listening to it and I knew it would make a dramatic painting.  

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The Original 40" x 50" oil painting on canvas is available.  Please Contact Me for details.

Go West Young Man

Go West Young Man

Go West Young Man was my first train painting and really my first dive into an action oriented, storytelling style that I had been wanting to experiment with for some time.  I had recently moved to Minneapolis and became intrigued by the many areas of the city characterized by urban industrialization.  This scene is based off of the SOO Line railroad trestle that crosses from NE Minneapolis over the Mississippi River to North Minneapolis just south of the 42nd Ave bridge.  I decided to change the bridge to look like a roller coaster to help convey the turbulent history of the people in the photograph: my great-grandma Rose and her husband Don.  Rose was deserted during the Great Depression and left with 6 small children to try to feed and take care of all on her own.  Times were tough and she would scrub floors, take in laundry, and work anything she could find to put food on the table.  Rose knew that Don had headed westward (If you read the graffiti it says, “Go West Young Man”).  The painting implies that he headed west on a freight train, emptying his pockets and throwing away the photograph and his old life.  The train is spiraling off into an unreachable place because she never saw him again.

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Study in Reflections

Study in Reflections

Study in Reflections was intended to be a technique learning painting for me.  I started it with the hope of learning how to paint complicated reflections.  I lived in Portland, Oregon at the time and spent a relaxing Saturday perusing the shelves of the famous city-block size bookstore “Powell’s Books”.  After a couple of hours, I finally found an image to use as my reference in a book about the Caribbean island of Grenada by Roger Brathwaite.  Even with a good reference image, painting “Study in Reflections” proved to be quite challenging.  I became frustrated enough while painting it that I resorted to using a technique I had learned in Betty Edward’s “Drawing on the Right Side of the Brain”.  I turned the whole 48"x72" painting upside down on my easel, as well as my reference photo, and tried to paint only what I saw, not what I "thought" should be there.  Additionally, I gridded off the canvas (and my coordinating reference). I then cut the reference into labeled squares and painted each square independently and upside down.  I really had to “trick” my own brain into painting only what I saw.  I forced myself not to turn the painting right side up until I was totally done.  About 25 hours later I did the big reveal and flipped it and was pleasantly surprised (and relieved!) that the technique had worked.   

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Frigid Waters

Frigid Waters

“Frigid Waters” takes place in Lake of the Woods, Canada.  After being cabin bound for 3 days, My mother & I decided we needed to get out for awhile so we set out on a kayak trip.  The month of May can be fickle though, and the rain turned to snow.  Luckily we only had to go about half a mile back to the cabin, but it was a very cold half mile with choppy waves that had to be carefully negotiated in a kayak. 

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The Original 15" x 22" watercolor painting on paper is available.  Please Contact Me for details.

Early Morning Paddle

Early Morning Paddle

“Early Morning Paddle”  was painted from a scene in the French Narrows of Lake of the Woods, Canada.  My dad (pictured in the painting) & I had a 5 hour kayak route planned that we wanted to try.  We wanted to basically circle East Allie Island, going through some tricky passages between it and Allie Island that were unpassable by regular boat.  From the map, the route looked to have lots of back water areas sure to be filled with wildlife.  After 4 days of waiting for the wind to die down, we finally decided on day 5 to get up before dawn and set out before the next storm front was scheduled to roll in.  The sky was impossibly blue at that hour, the reflections glassy and clear.  The route didn’t disappoint.  Being so protected, it was like a wildlife sanctuary teeming with turtles, fish, beaver, small mammals, and more species of birds than we could keep track of! 

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French Narrows at Dusk

French Narrows at Dusk

The French Narrows are located in Lake of the Woods, Ontario, about 2 ½ hours north of the Minnesota/Canadian border.  One evening while vacationing up there I was enjoying a campfire and the sunset with my family.  It was one of those evenings where the cloud structure was so interesting you had to just sit back and take it all in.  I had taken some photos about half an hour earlier that I thought would make a decent painting reference, but then I saw the hole in the clouds open up, and the sun sparkling on the water was breathtaking.  I quick grabbed my camera and ran down to the lakeshore and snapped 3 photos panoramic style.  I made sure to take the photo on the left first and by the time I took the far right photo the hole had already closed up.  It was a brief magical moment I was lucky to capture.  Even though I used my photographs as a reference and the painting is done in a realistic style, painting the sky was a study in painting abstractly.  With the original painting being 6 feet long I had to trust that being up close and painting a blob of purple hear and a dab of white there would actually look realistic when you viewed the painting from 10 feet away. 

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The Original 72" x 24" oil painting on canvas is available.  Please Contact Me for details.

Lazy Afternoon

Lazy Afternoon

“Lazy Afternoon” was a study in the importance of shadows.  One relaxing summer day I found myself with nothing to do but lay in the dabbled shade of our big cedar swing.  As I was reading I noticed the interesting shadows thrown by the various cross pieces of the swing and the trees overhead.  When I started the sketches for this painting I first drew in the major elements of the swing, the book, and the legs.  It wasn’t until I added the oddly shaped shadows that the piece started to come to life.  Without them, the scene looked quite dull.  I was reminded of the Impressionistic school of thought that is basically, “light is everything”, or in the instance of this painting, the absence of light.

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Original 16"x 20" Oil on canvas is available.  Please Contact Me for details.

 

Sailboat Promenade

Sailboat Promenade

Sailboat Promenade takes place just south of Kenora, Ontario, at the very top of Lake of the Woods.  The building in the mid-ground is The Royal Yacht Club (a visit from Prince Arthur in 1914 brought it up to “royal” standards!).  I did the painting from some photos I had taken during Kenora’s Harborfest celebration where hundreds of sailboats sail in a giant regatta.  My mom and I had driven to town (by boat) to pick up my dad at the marina, and we had to wait literally 20 minutes for all the sailboats to go by to get through the main navigation channel.  In the editing stage I decided to extend the water further into the foreground, not realizing it would change the whole view point of the painting.  That change made it seem like the viewer now is actually swimming (or kayaking) in the channel instead of riding up in a boat.  It was an unexpected, dramatic shift, and probably the reason why I've had several people tell me looking at it makes them seasick!

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Choppy Ride from Bottle Bay

Choppy Ride from Bottle Bay

“Choppy Ride from Bottle Bay” is painted from the perspective of looking out over the back of a fishing boat.  I’ve always been fascinated by boat wakes ever since I was a little girl, trailing my hands over the side of the boat, trying to feel the water flying by!  Near the back of the boat the wake always looked impossibly glassy as it curled over, tumbling into a frothy spray. On this particular day, my Grandma, brother, and I had set off in the morning to go fishing in secluded, hard to find, Bottle Bay in Lake of the Woods, Ontario. (see map inset).  By the time we caught our limit and headed back to the cabin, the wind had picked up and we had quite the ride!  In the painting I wanted to convey the conflicting directional movements of the wake and the oncoming waves.  The movement is mimicked in the positioning of the storm clouds versus blue sky.

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Pirates on the Port Side

Pirates on the Port Side

“Pirates on the Port Side” is a delve into a whimsical Caribbean sailing adventure.  There is a sailing race occurring and the fancy yacht in the foreground is decked out and ready to take home the gold.  The captain and his first mate are wearing matching sailing uniforms and are taking the race very seriously!  Meanwhile, a band of costumed misfits in their modern day pirate ship come out of nowhere and are pulling ahead in the race.  This makes the captain very upset and he shakes his fist in anger!  The moral of the story is suppose to be this: Have fun, and don’t take life (or yourself) too seriously, and in the end you will win the race.  Artistically, I was happy to experiment in this piece with some elements that I hadn’t done a lot of in the past;  the rigging and mechanical details in the boats, the color nuances of ocean water, and how to add implied action into a piece. 

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The Original 24" x 48" oil painting on canvas is available.  Please Contact Me for details.

The Fraziers and the Mackenzies

The Fraziers and the Mackenzies

My last name “Frizzell”  is actually derived from the Scottish name “Frazier”, specifically the Fraziers of Lovat from the highlands of Scotland, near Inverness.  A couple of years ago, my dad opted to take part in a worldwide DNA study through National Geographic.  In this study, they looked for “markers” on the Y chromosome (only males can participate).  They then used their database to match participants around the world who had the same markers.  More markers increases your likelihood that you’re actually related.  It was a fascinating study, and as expected, my dad was matched up with many Fraziers.  What wasn’t expected was that he actually matched up with far more Mackenzies (who happened to be the neighboring clan).  This painting is my fanciful interpretation of how the Frazier bloodline became tainted with the blood of the Mackenzies!  The castle in the painting is Castle Frazier, on the Beauly River.  On the parapet is the young Lady Frazier, the daughter of the Laird, and she is flying her falcons, unaware of what is going on below.  In the foreground is the boat of the Mackenzies with their distinctive plaids.  The young Laird of the Mackenzies is standing and staring at Lady Frazier, completely captivated.  Meanwhile, a boat of Fraziers (in the mid-ground on the right) see the intruding boat and start pointing and yelling threateningly at the unwelcome intrusion.  The 3 groups of figures in the painting are intentionally arranged in a triangle configuration to emphasize the idea of a “Love Triangle”.

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Pop Contemplating the Moon

Pop Contemplating the Moon

Painting Location: French Narrows, Lake of the Woods, Ontario, Canada 

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Cabin in the Pines

Cabin in the Pines

“Cabin in the Pines” is a painting of one of the cabins at Burntside Lodge near Ely, Minnesota.  The lodge has a rich history.  It was started as a hunting camp in the early 1900’s.  Because of its beautiful surroundings and popularity, the camp was developed into a resort with a main lodge not long after, and quaint cabins (like the one in the painting) were constructed for the guests.  According to the lodge, “Guests from these days fondly remember the island breakfasts, steak fry cookouts, smorgasbords, shuffleboard, bingo in the lodge and skits offered by the staff.” “Historically it is recognized as being one of the earliest full-scale resort operations in this part of the county. Also significant because it contains the largest collection of log resort buildings of high integrity in northern St Louis County. Built of local materials, by local craftsmen, these buildings are a remarkable architectural achievement in an outstanding state of preservation.” In 1988, Burntside Lodge was officially listed on the National Register of Historic Places.

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The Original 8" x 10" oil painting on canvas is available.  Please Contact Me for details.

Pines at Periwinkle

Pines at Periwinkle

Painting Location: Periwinkle Trail, Cass County, Minnesota

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Glassy Waters South of Bald Island

Glassy Waters South of Bald Island

Painting Location: Bald Island, Lake of the Woods, Ontario, Canada

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Shallow Waters East of Bald Island

Shallow Waters East of Bald Island

Shallow Waters East of Bald Island came about when I was able to ditch working on the cabin one afternoon and go out exploring in my kayak instead.  Telling my family I would be back “in awhile” I set out for a rock reef I was curious about on the map.  When I finally returned (5 hours later) I was able to muster a somewhat convincingly guilty face!  Bald Island is located in Lake of the Woods, Ontario, about 3 hours north of the Minnesota/Canadian border.  While kayaking that day I had stopped on it for a shore lunch.  I liked the lowered perspective of sitting on the boulder strewn shore instead of standing.  From this viewpoint the horizon line was much higher and allowed more space to show the underwater fade of the midground rocks which I found visually intriguing.  That particular day had virtually no wind which made the reflections almost a complete mirror.  I added the ripples aroung the rocks to add a bit of implied action into the scene and played with the transition between the sky reflection and water transparency to tie together the background with the foreground.

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Pushing Up Daisies

Pushing Up Daisies

“Pushing Up Daisies” is painted from the banks of the Necktie River, near Guthrie Minnesota.  I grew up a couple of miles from there and always loved it when every July the fields would fill with daisies so thick it looked like a blanket of snow.  I was out riding my bike one July day when I stopped for a rest and layed down in one of the fields to feel the sun on my face.  The wind gently blew the daisies above me and I had the passing idle thought that if this is what they meant by the expression “pushing up daisies” and someday I was lying in this same spot, only underground, that it really was very peaceful and not morbid at all!

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Heading Home

Heading Home

“Heading Home” is painted from the top of a bluff, overlooking the main navigation channel that passes through the French Narrows in Lake of the Woods, Ontario, Canada.  This particular bluff is often used by local fishing guides for fish cleaning and shore lunches.  Sheltered and south facing, it’s a great spot to stop on a windy or cold day if you need a break from the lake, or want to watch the various boat traffic of barges, houseboats, cabin cruisers, sailboats, or small fishing boats (like the one in the painting) pass by.  The painting is set just before sunset, and the young man and his faithful companion are headed home from what I imagined was an idyllic day on the lake.  

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Touring with 6 Horses

Touring with 6 Horses

A lot of times simpler is better, which is probably why I’m fond of the beat up, small aluminum fishing boat depicted in “Touring with 6 Horses”.  It’s the perfect size for touring around little islands and hidden inlets in Lake of the Woods, Canada.  It can get into areas that a bigger boat couldn’t and if you accidentally hit a rock (or 2....) it’s not too big of a deal since it’s already in pretty rough shape.  The motor is a 1965 Johnson 6 Horse outboard that my grandfather owned, and it still runs like a champ due to my mechanic mother’s diligent care over the years.  One day we were out touring around and stopped to do some island exploring.  I decided to relax and take a nap and when I awoke the wind had picked up and blew the tall grasses around me.  The swishing of the grasses, the sunlight dancing on the water, it was utterly peaceful.  In the painting, I wanted to impart the loose dreamlike quality of the scene that I had felt that day on the lake. 

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Hollyhocks

Hollyhocks

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Koi Under Waterlilies

Koi Under Waterlilies

“Koi Under Waterlilies” is painted from a compilation of photographs I had taken while visiting Huntington Gardens in southern California.  I found the gardens to be exotically beautiful, but also very HOT!  Being born and raised in northern Minnesota had not given me the greatest tolerance for heat.  So it was with great relief that I spotted the koi ponds and sat down to run my hands through the water and play with the fish as they nibbled my fingers.  When putting together the composition for the painting  I wanted to play with the idea of hidden symbolism.  The koi are arranged in an implied swimming pattern in the shape of an infinity sign.  I also wanted to experiment with creating depth in the water by making the fish less defined and harder to see the further down in the water they swam.  Small water ripples and the leaves and floating lily pads on the water’s surface were layered on top to help further the 3 dimensional quality. 

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The Original 21" x 14" watercolor painting on paper is available.  Please Contact Me for details.

Drowning to Live

Drowning to Live

This was an experimental piece for me.  It is quite a bit different than my previous styles.  I wanted to create an emotional painting that used imagery and symbolism to portray people and times from my past.  It was painted in part with rapid, forceful brushstokes in an effort to convey turmoil.  The "floating" placement of different elements and softened brushstrokes gave this piece a dream like quality.

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The Original 48" x 48" Oil paintint on canvas is available.  Please Contact Me for details.

MillerTime Shored Up in Bottle Bay

MillerTime Shored Up in Bottle Bay

“MillerTime Shored Up in Bottle Bay”  was started on location during a blissful summer day on Lake of the Woods, Canada.  Painting outside in oils is always a bit tricky, especially when you have to juggle transporting a wet painting into a boat with kids and dogs!  I wanted to try my hand at painting outdoor summer scenes like the Old Masters and it wasn’t quite as romantic as I had anticipated.....bugs got stuck in my paints, sand somehow found its way into my turpentine.  The hot sun soon had me sweating and it was hard to hold onto my brushes!  It did give me an appreciation for on-site editing however and I was able to emphasize areas of the composition that I would have missed if I had only worked from a photograph.  

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

The Original 16" x 20" oil painting on canvas is available.  Please Contact Me for details.

Sunlit Path Through Winwood

Sunlit Path Through Winwood

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Kabekona River at Dusk

Kabekona River at Dusk

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Bluffs at Sully Creek

Bluffs at Sully Creek

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Fort Ransom Sunset

Fort Ransom Sunset

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Across the Prairie

Across the Prairie

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Guthrie Horses

Guthrie Horses

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Bluff Trail on Bald Island

Bluff Trail on Bald Island

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Century Pines

Century Pines

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Sentinel Tree

Sentinel Tree

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Bridge Over the Necktie River

Bridge Over the Necktie River

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

A Man of Leisure

A Man of Leisure

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Jed's Beach on Garfield Lake

Jed's Beach on Garfield Lake

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

Tide & Roses

Tide & Roses

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.

The Triplets of Bedville

The Triplets of Bedville

Archival giclee prints on canvas (stretched on bars and ready to hang) are available in a variety of sizes by going to the Online Store menu option above.